Arthur Moon

Postponed - New Date TBA


Tickets: $17 ADV - $20 DOOR
Ages 21 and Up
In response to the recent recommendations of local, state and global health authorities and mandates by city and state government, this show is postponed. We are actively working to reschedule the show at this time. We hope to have that information to you soon. If you have purchased tickets to any postponed event, please hold onto your tickets as they will be honored at the rescheduled date. Please check our website, theindependentsf.com, for the most recent updates on the status of this concert. Stay healthy and we look forward to bringing back the music soon.
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It’s been nearly two years since Kelsey Byrne released her debut album Somewhere In Between, and things have changed for her.

“I feel like I’m a completely different person existing differently in the world since I made and released LP1,” says the 28-year-old singer who goes by Vérité.

Following the release of her 2017 LP Somewhere In Between, Vérité has become the definition of thriving in the new music industry as an independent artist. Since her project began, Vérité has garnered 250M+ streams across all platforms with 1.4+ monthly listeners. Her debut album has over 50M streams, while her cover of The 1975’s “Somebody Else” has been streamed 111M times.

For her next chapter, she took everything she learned crafting her debut and expanded her palette and range. Although she’s been bi-coastal, splitting time between New York and Los Angeles, Vérité was drawn to Nashville where she found herself inspired by new collaborators. The musician dug deep and unboxed her writing process.

“Gone,” Vérité’s first single in two years, was the fruition of her first trip to Nashville. Co-written and produced by singer-songwriter Madi Diaz and Konrad Snyder, the song reintroduces the musician, capturing the devastating effects of something ending. Carried by haunting crescendos and Vérité’s powerhouse vocals, the track sees the singer pleading for time to stand still for a little while longer before her world turns upside down. “So leave the clothes and mess we made up all on the floor/Cause when we put them on we’re not in love anymore,” she belts.

On a personal level, Vérité recalls various relationships ending, but she believes the sentiment can really apply to any situation that’s final. “You’re sitting in bed with someone and everything is a mess around you, all your clothes are on the floor, everything is fucked up and you know the second you get up and put your clothes on, it’s over,” she explains. With “Gone,” Vérité wanted to capture that in a wave of emotion. “Every time that’s happened to me – and I’ve had it happen many times in my life – it feels so big and transformative but at the same time, when you look back, it’s such a small blip on the radar,” she says of the lyrics.

“Gone” speaks to a larger theme she’ll be focusing on with her sophomore album: capturing the nuance of being in a relationship that isn’t romanticized or idealized. So, it’s fitting that this single is the first taste of a forthcoming album Vérité has coming down the pipeline. And fans will find it’s different than her first. For one, Somewhere In Between captured the singer at a time when she was battling numbness and depression; the process of making it was isolating.

This time around, she’s found collaborators that feel like family, and her follow-up focuses on how to navigate love and the human experience, while pushing herself emotionally, lyrically and musically and visually into a place she didn’t necessarily approach on her debut. She also came to the realization when she began making this album that her independent project was sustainable. There was a sense of freedom that came with this process where Vérité could write without pressure, experiment and take a step back from the hustle and grind for a moment. Space and time really allowed her to push herself because she had it for the first time.

Now, Vérité’s chasing a bigger feeling, and she’s not settling anytime soon.

Arthur Moon

Arthur Moon is the moniker of award-winning composer/singer Lora-Faye Åshuvud, who lives and works in Brooklyn, where she was raised, and collaborates on the Arthur Moon project with musicians like Cale Hawkins (Quincy Jones, Bilal, Linda Perry), Martin D. Fowler (a composer for This American Life), Dave Palazola and Aviva Jaye. Åshuvud’s musical origins were in folk and rock, and with Arthur Moon she takes those influences -- an intentionally out-of-tune banjo, or a familiar refrain -- and explodes them through the filter of electronic pop to make something totally unique. The result is poignant, raucous and perfectly “incorrect."

Åshuvud often writes her lyrics using cut-up newspaper articles, and describes the process of composing the band’s rollicking, iconoclastic arrangements as similarly collage-like. A stubborn autodidact, Åshuvud is the rare multi-instrumentalist and composer who doesn’t read music, which means her queer compositional sensibility sounds both totally fresh and a little tilted, guided by intuition and improvisation rather than formal training. Åshuvud’s metier is what she calls “incorrect music” and “odd theory" -- music that feels good and strange in equal measure. With support from the likes of NPR, BBC Radio 6, Spotify’s New Music Friday, Refinery 29, Billboard and more, the debut full-length Arthur Moon is now available everywhere and on vinyl via Vinyl Me, Please.