event

Rescheduled From 4/11/2020
Circles Around The Sun
Mikaela Davis
Wed, Apr 6
Doors: 7:30 pm | Show: 8:00 pm
Tickets: $22 ADV - $25 DOOR
Ages 21 and Up
Circles Around The Sun

Another Planet Entertainment and The Independent are committed to producing safe events. Please review our most up-to-date COVID-19 policy requirements for entry on our Health & Safety page. 

* Policy is subject to change

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In response to health and safety concerns, Circles Around the Sun at The Independent originally scheduled for April 11, 2020 is rescheduled to April 6, 2022. 

All tickets purchased for the originally scheduled date will be honored at the new date. Should you be unable to attend the new date, please return to the point of purchase no later than February 24, 2022 to request a refund.

Please check our website, theindependentsf.com, for updates on the status of this show. For any questions, please reach out to us at info@theindependentsf.comWe thank you for your understanding and we look forward to seeing you at the show!
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Circles Around The Sun

Los Angeles-based instrumental supergroup Circles Around the Sun returns with the release of their self-titled, third full-length studio album, Circles Around the Sun. The seven-track collection marks a stylistic shift from their previous LPs. It’s an evolution that sees the band embracing a sleeker, shinier, even DANCIER version of themselves – a cosmic disco of the body and the soul, still anchored in the groove, but ascending to the stars. The thing is, their sound isn’t the only thing that’s evolved. Since their last LP, Circles has undergone a transformation internally. It’s a tale of life, death and rebirth, of love and loss, of shedded skin and new beginnings. But let’s start with the new album, shall we? 
 
Recorded by legendary engineer Jim Scott (Wilco, Rolling Stones, Tom Petty) at his studio in Valencia, CA, this new collection began with…a drum machine. The Sequential Circuits Drumtraks™ from 1983, to be specific. The Circles band members—guitarist Neal Casal (Chris Robinson Brotherhood, Ryan Adams), bassist Dan Horne (Cass McCombs, Jonathan Wilson), keyboardist Adam MacDougall (Black Crowes) and drummer Mark Levy—were searching for a sound, something more upbeat than previous releases. Cue the Drumtraks™. “The built-in beats on it are actually pretty janky,” says Horne. “But we knew we wanted to make more of a dancey, groove-driven album that would translate live, to give our shows a more high-energy feel.” Drawing inspiration from P-Funk, Herbie Hancock’s Head Hunters, and Beastie Boys’ slinky instrumentals, the band used the Drumtraks™ driving rhythms as the foundation for each song.
 
Album opener “Babyman” makes it clear the Circles Around The Sun ride is headed in a new direction, closer to Air’s Moon Safari than the psych-jazz odyssey of their previous LPs, Interludes for the Dead (2015) or Let It Wander (2018).
 
An origin story, for context: in 2015 Justin Kreutzmann, son of Grateful Dead drummer Bill, invited Casal to compose the intermission music for the Dead’s Fare Thee Well concerts, a victory lap celebrating their final shows. Neal assembled the guys, recorded five hours of jams, and was surprised to find an eager audience and label support from Rhino Records. And Circles Around the Sun was born.
 
On epic disco jammers “Detroit Dos” and “Land Line Memories,” MacDougall’s sizzling analog keyboards (like the Minimoog Model D and phaser-soaked Clavinet) echo vintage library music and 1978’s crate digger fave Black Devil Disco Club by Bernard Fevre. “This band was never something I thought would get done to a click,” says MacDougall. “But we all talked about it being more of a fun record, so we hung some mirror balls and played a bunch of dance music!”
 
As it happens, Circles’ new sound was created partly by design, but also partly by tragic circumstance. On August 26, 2019, a week after laying down his tracks for Circles Around the Sun, founder Neal Casal committed suicide. He left behind a note for the group, asking for them to continue in his absence—to continue recording, touring, and playing together. They’ve chosen to honor his wishes. “Our mission is to extend Neal’s musical legacy,” says drummer Levy. “He was a classy dude and had a regal vibe about him. The other side of it is the mental health legacy. Maybe there are people out there in the same sort of darkness Neal was in, who can hear us and say we can work positively on multiple fronts in his memory.”
 
In this metamorphosis, Circles Around the Sun spans both heartbreak and hope. Doors close; windows open; new directions extend themselves in mysterious ways. But sometimes you know it’s real from the first beat. It just clicks. We’ll see you on the dancefloor, at the festival, at the next jam session, where everyone comes together and all is forgiven. It’s just how Neal would want it. It’s Circles Around The Sun.
 

Mikaela Davis

Mikaela Davis, Delivery

“This record is kind of about writing a record,” Mikaela Davis says. The 26-year-old is home in her native Rochester, New York, reflecting on Delivery, her highly anticipated full-length album, as well as the hard journey the classically trained, defiantly original harpist had to travel to become the writer, performer, and band leader she was meant to be. 

“A lot of these songs came from feeling stuck and also like people were pulling me in a bunch of different directions,” Mikaela says. “I wanted to say, ‘Just wait for me. I’ll figure it out.’”

Mikaela’s plea for patience - a little bit sweet, a little bit angry and raw - fed a fierce 10-song collection. A joyride that pulls from folk rock, 70s and 80s pop experimentation, and muscly funk, Delivery manages to be both daring and comfortable, full of not just risks, but hooks.